EXHIBITIONS (selected)
Minimal Maximal II, Rothfarb Studio, Athens NY 2026
Browngrotta Arts, Wilton CT
2025, Beauty is Resistance: art as antidote (catalog)
2025, Field Notes (catalog)
2024, Discource: art across generations and continents (catalog)
2022, Crowdsourcing the Collective: a survey of textiles and mixed media art (catalog)
2021, Adaptation: Artists Respond to Change (catalog)
10th Biennale International du Lin de Portneuf, Deschambault-Grondines, Quebec, Canada, 2023, Sans Domicile Fixe (No Fixed Abode)(catalog)
https://vimeo.com/842589469/664f0a2269?share=copy
Browngrotta Arts, Wilton CT
2022, Crowdsourcing the Collective: a survey of textiles and mixed media art (catalog)
2021, Adaptation: Artists Respond to Change (catalog)
2020, Volume 50: Chronicling Fiber Art for Three Decades (catalog)
2017, Still Crazy After All These Years (catalog)
2002, SOFA, Chicago
2001, SOFA, New York City
1999, 25 for the 25th (catalog)
American Craft Museum, 1992, special exhibition in conjunction with African Improvisations
US Art in Embassies Program, 1991-1993, work on loan to American Embassy, Poland
Snug Harbor Cultural Center, Staten Island NY, 1991 New Ends
Japanese Crafts/New England, traveling exhibition 1987-1988:
Brattleboro Museum, Brattleboro VT, RISD Museum, Providence RI, Museum of Art,
Springfield MA (catalog)
San Diego Museum of Contemporary Art, LaJolla CA, 1987 Alcove series: solo exhibition
Fiber R/Evolution, traveling exhibition 1986-1987:
University Art Museum, Univ. of Wisconsin-Milwaukee, Galleries of Claremont Colleges,
Claremont CA, and University of California, Riverside CA, Brockton Art Museum,
Brockton MA, Wichita Art Museum, Wichita KS (catalog)
Thomas Segal Gallery, Boston MA
Boston Invitational 1982
solo exhibition 1981
Black and White 1980
Hadler Rodriguez Galleries, New York NY 1981, New Talent
The Elements Gallery, New York NY
Works in Miniature 1980, solo exhibition 1980
Miniature Fiber Arts: A National Exhibition, traveling exhibition 1979-81: tour included
Textile Museum, Washington DC (catalog)
Rose Art Museum, Brandeis University, Waltham MA, 1979 3-Dimensional Possibilities
American Academy in Rome, 1977 Two-person exhibition
Contemporary Crafts of the Americas, Colorado State University, Fort Collins CO, 1975
TAPESTRY COMMISSIONS
Seton Hall University School of Law, Newark NJ, 1993
University of Massachusetts Dartmouth, N. Dartmouth MA, 1989
Tapestry commissioned through Massachusetts Council on the Arts and Humanities, One-Percent-for Art program.
J.M. Wright Technical School, Stamford CT, 1985
Tapestry commissioned through Connecticut Commission on the Arts, One-Percent-for-Art program.
Massachusetts Institute of Technology, Cambridge, MA, 1984
Rocky Mountain Energy Company, Broomfield CO, 1981
FELLOWSHIPS (selected)
Radcliffe Institute Fellowship. Mary Ingraham Bunting Institute of Radcliffe College. 1983-1984
Massachusetts Artists Foundation Fellowship, Crafts, 1980
BIBLIOGRAPHY (selected)
Author: The Warp, A Weaving Reference
Van Nostrand Reinhold, New York NY, 1984; Lark Books, Asheville NC, 1987, 1991
(in print for 12 years)
Ars Textrina, Volume 6, December 1986, Winnipeg Canada, author: Weaving, ‘riting, and ‘rithmetic
Contemporary American Craft Art: A Collector’s Guide, by Barbara Mayer
Peregrine Smith Books, Layton UT, 1988
Fiber R/Evolution, essays by John Perreault, Mildred Constantine, Mary Jane Jacob, Neda Al-Hilali, Jane Fassett Brite and Jean Stamsta, Milwaukee Art Museum, 1986
The Art Fabric: Mainstream. by Mildred Constantine and Jack Lenor Larsen
Van Nostrand Reinhold, New York NY, 1981; Kodansha International, New York NY, 1985